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1993 moving-picture show by Brian Gibson

What's Dearest Got to Do with It
Whats love got to do with it poster.jpg

Theatrical release poster
Directed by Brian Gibson
Screenplay by Kate Lanier
Based on I, Tina
past Tina Turner
Kurt Loder
Produced past
  • Doug Chapin
  • Barry Krost
Starring
  • Angela Bassett
  • Laurence Fishburne
Cinematography Jamie Anderson
Edited by Stuart Pappé
Music by Stanley Clarke

Production
company

Touchstone Pictures
Distributed by Buena Vista Pictures

Release dates
  • June vi, 1993 (1993-06-06) (Los Angeles)
  • June 25, 1993 (1993-06-25) (The states)

Running time

 118 minutes
Land United States
Language English language
Upkeep $15 million[1]
Box office $61 million[2]

What's Dearest Got to Do with It is a 1993 American biographical moving picture based on the life of American-born Swiss singer Tina Turner. It was directed past Brian Gibson and written by Kate Lanier. The film stars Angela Bassett every bit Tina Turner and Laurence Fishburne every bit her hubby Ike Turner.

Adapted from Tina Turner's autobiography I, Tina (1986), the film follows her life from a rural upbringing to her rise to stardom, along with her abusive marriage to Ike Turner.

What's Love Got to Do with It premiered in Los Angeles on June half dozen, 1993, and was theatrically released past Touchstone Pictures on June 25, 1993. Although Tina Turner and Ike Turner were not happy with the accurateness of the film, it was a critical and commercial success. It grossed $61 million on a $fifteen million budget. For their performances, Bassett and Fishburne received nominations at the 66th Academy Awards for Best Actress and Best Actor. Bassett also won the Golden Globe Honor for All-time Extra – Motility Picture Comedy or Musical.

Plot [edit]

Raised in Nutbush, Tennessee, Anna Mae Bullock grows up in an unhappy family unit with her parents leaving and abandoning her at a young age.

Following her grandmother's death, Anna Mae relocates to St. Louis, reuniting with her mother and older sis Alline. Anna Mae pursues a chance to be a professional singer, after seeing charismatic bandleader Ike Turner perform one dark. Later, she wins her spot in Turner's ring after singing onstage, and he begins mentoring her. In time, an unexpected romance develops betwixt the 2, afterwards she moves into Ike'southward abode. Shortly afterwards, they marry and begin having musical success together as Ike & Tina Turner.

The wedlock apace turns violent when Ike starts physically dominating Tina, leaving her no chance to escape. In public, Tina rises from a local St. Louis phenomenon into an international R&B star, with Ike growing increasingly jealous of the attending given to her. Ike turns to drugs as his beliefs worsens while Tina finds solace in Buddhism by chanting Nam Myoho Renge Kyo. Tina grows increasingly confident and in a final fight with Ike, she finally musters the courage to defend herself; somewhen she leaves Ike afterward they get in at a hotel.

Winning the right to retain her phase name after their divorce, Tina continues working to pay bills. She gets a intermission after meeting Roger Davies, who eventually helps her realize her dreams of stone stardom. Despite Ike's attempts to win her back, Tina prevails and finds solo success, accomplishing her dreams without Ike. The film concludes with existent life concert footage of Tina in the 1980s.

Cast [edit]

  • Angela Bassett as Tina Turner, born Anna Mae Bullock
    • Rae'Ven Larrymore Kelly as immature Anna Mae
  • Cora Lee Twenty-four hours as Grandma Georgiana
  • Khandi Alexander as Darlene
  • Laurence Fishburne every bit Ike Turner
  • Jenifer Lewis as Zelma Bullock, Tina's mother
  • Phyllis Yvonne Stickney as Alline Bullock
  • Penny Johnson Jerald every bit Lorraine Taylor
  • Vanessa Bell Calloway as Jackie
  • Chi McBride as Fross
  • Sherman Augustus as Reggie
  • Terrence Riggins as Spider
  • Bo Kane as Dance Show Host
  • Terrence Evans equally Bus Driver
  • Rob LaBelle equally Phil Spector
  • James Reyne every bit Roger Davies
  • Richard T. Jones as Ike Turner Jr.
  • Shavar Ross as Michael Turner
  • Damon Hines as Ronnie Turner
  • Suli McCullough equally Craig Turner
  • Elijah B. Saleem as teenage Ike Turner Jr.

Product [edit]

Angela Bassett was nominated for an Academy Award for her portrayal of Tina Turner.

Halle Berry, Robin Givens, Pam Grier, Whitney Houston, Janet Jackson, and Vanessa L. Williams were all considered for the role of Tina Turner.[three] Whitney Houston was actually offered the role, but had to decline due to imminent maternity. Jenifer Lewis also originally auditioned to play Tina Turner only was bandage instead as Tina's mother despite existence only a twelvemonth older than Bassett.[four]

Angela Bassett auditioned for the part in October 1992 and was chosen merely a month before production began in December. During that time she had to acquire not only how to talk like Turner just to trip the light fantastic toe and movement like her. She would have been willing to attempt to practice the singing every bit well, but ''not in the time nosotros had,'' she said. ''I did call back about it for a second, though.'' Instead, she lip syncs to soundtracks recorded by Tina Turner and Fishburne. Bassett worked with Tina Turner, but only ''a niggling scrap.'' Turner helped nearly with the re-creations of her famed trip the light fantastic toe routines.[v] She also re-recorded new versions of all the Ike & Tina Turner songs used in the film.[half dozen]

Laurence Fishburne was offered the role of Ike Turner five times and turned it down each time.[three] [seven] "It was pretty one-sided," said Fishburne, who turned down the projection based on the script he first read. Ike, Fishburne added, was "apparently the villain of the piece, merely there was no explanation equally to why he behaved the way he behaved - why she was with him for 16 to 20 years, what made her stay."[five] The writers made some changes and though Ike is however shown equally a pretty despicable sort, the film offers at least some insight into him - nearly notably a scene in which Ike recalls watching, at age 6, his father's decease from wounds suffered in a fight over a woman. The changes helped persuade Fishburne to do the role, but he says that Bassett'due south casting as Tina "was the deciding gene."[5] [7]

Fishburne did not have Ike Turner around to help model his functioning as much as he would have liked. He met him in one case during production of the film. "He was not peculiarly welcome on this projection," Fishburne says.[3] The player'south only meeting was a cursory introduction when Ike showed upward at the Turners' former home in View Park during a location shoot. Ike signed some autographs and showed Fishburne his walk. "It was nice to see him," says Fishburne. "Regardless of his actions, he was then much a part of Tina'southward life. The movie is about him only as much equally her. Information technology's unfortunate that he wasn't welcomed, that both of them weren't around more."[three] Managing director Brian Gibson had no contact with Ike. "I never spoke to him," says Gibson. "I was not immune to. Disney felt that it would not exist a expert idea."[3]

Screenwriter Kate Lanier omitted much of the brutality Tina Turner said she endured in her book.[8] Her grapheme was also sanitized; nearly notably, her relationship with saxophonist Raymond Loma and the birth of their son was excluded from the pic.[9] Lanier admitted that Tina Turner was not happy with certain aspects of the film because some parts were fictionalized.[viii] Tina Turner tried to talk to the Disney filmmakers well-nigh the script. In 1993, she told Vanity Fair that they saw "a deep need" to make a motion picture nigh "a woman who was a victim to a con human. How weak! How shallow! How dare you think that was what I was? I was in control every infinitesimal there. I was at that place considering I wanted to be, because I had promised." She added, "O.K. and so if I was a victim, fine. Maybe I was a victim for a brusque while. Just give me credit for thinking the whole time I was there. See, I exercise have pride."[10]

Inaccuracies [edit]

Though most of the scenes from the film were somehow depicted from Tina Turner's autobiography I, Tina, some other elements were "fictionalized for dramatic purposes."[3]

  • Ike did not sing or play guitar on the record "Rocket 88" as depicted in the film. He wrote the song and played piano on the record. His saxophonist Jackie Brenston was the vocalist. The record was released under the alias Jackie Brenston and his Delta Cats who were actually Ike's band the Kings of Rhythm.[11]
  • The vocal Anna Mae first performs onstage with Ike, "Yous Know I Love You", was actually a slower B.B. Male monarch blues carol; Ike played piano on King's record.[12] When Anna Mae sang the song, Ike played the organ, not the guitar as depicted in the film.[9] Tina recorded a blues rock rendition of the vocal for the film's soundtrack.
  • Anna Mae and Ike did not have sex the night his alive-in girlfriend Lorraine Taylor shot herself every bit depicted. In reality, when Anna Mae was significant in 1958, Lorraine pulled a gun on her earlier shooting herself considering she believed that Anna Mae and Ike were having an thing. Notwithstanding, Anna Mae and Ike were ideal friends until 1960 when she went to sleep in his bed afterward a musician threatened to come into her room.[xiii]
  • The offset song Anna Mae is portrayed recording, "Tina's Wish", is actually a 1973 track titled "Make Me Over" from the anthology Nutbush Metropolis Limits. In reality, the first song she recorded is "Boxtop" in 1958.[14]
  • A theater marquee is shown for a 1960 show starring Otis Redding, Martha and the Vandellas, and Ike & Tina Turner. In reality, Martha and the Vandellas were known every bit The Del-Phis until 1961, and Otis Redding didn't release his showtime solo single until 1962.[fifteen]
  • In the picture, Anna Mae learns of her name modify to Tina Turner later on her song is played on a radio in the hospital where she had given nativity. In reality, Ike & Tina Turner's debut single "A Fool In Beloved" was released in Baronial 1960, months earlier she gave birth to their son.[16]
  • In existent life, Ike didn't call her Anna Mae, he chosen her either Ann or "Bo" (brusque for her surname Bullock).[17] Even after she received the phase name Tina Turner, family and friends still called her Ann.[18]
  • The film implies that Tina'southward eldest kid, Craig Raymond (born Raymond Craig in 1958), is Ike'south biological son. In reality, his biological father was saxophonist Raymond Hill and Ike after adopted him. Tina and Ike have one biological child, Ronald "Ronnie" Renelle, born in 1960.[19]
  • The moving-picture show depicts Ike and his entourage sneaking Tina out of the infirmary later on she gave birth to get married. In reality, Ike was non present for the birth of their son Ronnie. Tina wrote in her book that a few days after she checked herself out of the hospital, she discovered that the woman Ike hired to supercede her while she recuperated was a prostitute using her stage name Tina Turner to go clients.[20] She confronted the woman and after they got into a fight, Tina performed a show that nighttime.[21] Ike wrote in his book Takin' Back My Name that he was unaware the adult female was a prostitute. He was out of town to attend a court hearing in St. Louis when Tina gave nascency in Los Angeles.[17] They married in 1962, 2 years after the birth of their son.[17] [9]
  • Lorraine Taylor, the mother of Ike's sons Ike Junior and Michael, did not drop them off at his dwelling with Tina as depicted in the film. In reality, Ike went to St. Louis and brought his sons to Los Angeles later on Lorraine informed him she was going to leave them there. Tina besides brought her son Craig to live with them.[17]
  • In a scene dated 1968, Ike and Tina open for The Rolling Stones performing "Proud Mary." In reality, Ike and Tina didn't perform "Proud Mary" until later it was released by Creedence Clearwater Revival in 1969. The Rolling Stones didn't have any concerts in 1968; Ike and Tina opened for them on their 1966 British Tour and 1969 American Bout.[22]
  • Jackie and Frost are both fictional characters. Jackie represents an affiliation of Ikettes and associates of Tina, one of which was Ike's friend Valerie Bishop who introduced Tina to Buddhism in 1973.[9]
  • The infamous "eat the cake Anna Mae" scene was an exaggerated reenactment of an incident that occurred during the early on years of the revue. Tina recalled that when they stopped to society food, someone brought her a pound cake while they were sitting in a machine. Although Tina said she didn't gild information technology, Ike ordered her to consume all of it while he watched.[9]
  • The scene where Tina was raped during the recording of "Nutbush City Limits " was exaggerated from what she stated in her book. Tina claimed that sometimes later Ike would striking her, he then would take sex with her.[9] Ike maintained that he never raped Tina.[nine] "Nutbush Metropolis Limits" was recorded at their Bolic Audio recording studio, non at domicile equally depicted in the film.
  • The moving picture depicts Tina'due south suicide endeavour in 1974 when it actually occurred 6 years prior in 1968.[23]
  • Ike did not tell Tina "if you don't make it, I'll impale you" as depicted in the ambulance scene. Tina stated in her book that after her suicide effort she joked with a friend that she was so agape of Ike, he probably threatened her which is why she survived. She was unconscious and didn't know what he actually said. Ike stated in his book that he scolded Tina as his mode of motivating her to fight for her life.[17]
  • During the fourth dimension Tina is planning her comeback in the early 1980s, a reenactment of an interview features Tina rehearsing her vocal "I Might Take Been Queen." The song would be recorded for her 1984 comeback album, Individual Dancer.
  • The incident in the Ritz Theatre where Ike fails to scare Tina with his pistol is fabricated. Allegedly, Ike made threats to hire a hitman, and then Tina carried a pistol, but he did not threaten her in person with a gun every bit depicted.[24]
  • Before performing "What's Love Got to Exercise with Information technology " at the Ritz in 1983, the emcee announces that it was her "commencement advent," but she first performed there in 1981. Her 1983 functioning in that location occurred before the recording of "What's Love Got to Exercise with It" and led to Capitol Records signing a contract with her.[9]
  • A championship menu at the terminate states that Tina's first solo album won four Grammy Awards, implying it was Private Dancer. In reality that album was her 5th solo album. Her first two solo albums (Tina Turns The Country On! and Acrid Queen) were released while she was still with Ike, and two (Rough and Love Explosion) were released afterwards.[25]

Reception [edit]

Critical response [edit]

What's Love Got to Do with It received disquisitional acclaim.[26] [27] [28] On Rotten Tomatoes, it has a "Certified Fresh" approval rating of 97% based on 58 reviews. The site's consensus is: "With a fascinating real-life story and powerhouse performances from Angela Bassett and Laurence Fishburne, What'southward Love Got to Do with It is a tin't miss biopic."[29] Audiences surveyed by CinemaScore gave the film a grade A on scale of A to F.[30]

Janet Maslin of The New York Times, wrote: "The vivid, mercurial portrayal of Ike Turner by Laurence Fishburne, formerly known as Larry, is what elevates 'What's Love Got to Practice With It' beyond the realm of run-of-the-mill biography."[31] Gene Siskel of the Chicago Tribune gave it four out of 4, calling information technology: "A powerful, blithesome, raw, energetically acted bio-motion-picture show detailing the joys and pain of the on- and offstage lives of dejection rockers Ike and Tina Turner."[32]

Ike Turner said that the film and Tina Turner's volume are "filled with lies".[33] [34] In his autobiography, Takin' Dorsum My Proper name, he said Fishburne did "a fantastic chore, though the chore he did isn't really me".[17] He was particularly upset almost the made rape scene, which he said "was the lowest thing they could have ever done". He added that the film damaged his reputation.[17] At Turner'due south funeral, Phil Spector criticized the film and Tina'south book every bit a "piece of trash" which "demonized and vilified Ike".[35]

Tina Turner stated she wished the picture had more truth to it and she was not proud that the film had her being portrayed as a "victim".[10] In 2018, Turner told Oprah Winfrey that she had only recently watched the moving-picture show. She said, "I watched a niggling fleck of it, merely I didn't finish it considering that was not how things went. Oprah, I didn't realize they would change the details so much."[36]

Box office [edit]

The film grossed $xl.1 one thousand thousand in the United States and Canada and $20.5 million internationally for a worldwide total of $60.half-dozen million.[2]

Accolades [edit]

American Movie Constitute [edit]

The film is recognized past American Film Institute in these lists:

  • 2004: AFI'southward 100 Years...100 Songs:
    • "What's Love Got to Do with It" – Nominated[43]
  • 2006: AFI's 100 Years...100 Cheers – #85[44]

Pinnacle lists [edit]

  • Ranked #1 on Favorite Movie of the Year in 1994 by Ebony Readers' Poll[45]
  • Ranked #2 on Meridian nine Subjects of a Music Bio-Pic by Amusement Weekly[46]
  • Ranked #viii on Top 10 All-time Stone Biopics by Rolling Stone Readers' Poll[47]
  • Ranked #nine on The Best Black Movies of the Final 30 Years By Complex[48]

Soundtrack [edit]

References [edit]

  1. ^ "What'due south Love Got to Practise With It (1993) - Financial Data". The Numbers.
  2. ^ a b "Top 100 grossers worldwide, '93-94". Variety. October 17, 1994. p. M-56.
  3. ^ a b c d e f Walker, Michael (May 16, 1993). "Summertime SNEAKS : Tina Turner's Story Through a Disney Prism : The singer's movie biography, 'What'due south Dearest Got to Do With It,' focuses on her turbulent relationship with her mentor and ex-husband Ike Turner besides as her triumphant improvement - Los Angeles Times". Los Angeles Times. ISSN 0458-3035. Retrieved 2013-ten-06 .
  4. ^ Alexander, Keith L. (2017-11-24). "How 'Blackish' star Jenifer Lewis became 'the female parent of black Hollywood'". Washington Post. ISSN 0190-8286. Retrieved 2021-07-27 .
  5. ^ a b c "How Laurence And Angela Became Ike And Tina". tribunedigital-orlandosentinel . Retrieved 2017-x-24 .
  6. ^ What's Dearest Got to Exercise With It - Tina Turner | Songs, Reviews, Credits | AllMusic , retrieved 2021-07-26
  7. ^ a b Jung, Due east. Alex (19 August 2020). "Laurence Fishburne Knows Who He Is". Vulture. Well, I turned the movie down 5 times. The reason I said yes finally was because Angie was going to play the role.
  8. ^ a b Collier, Aldore (July 1993). "'What's Love Git To Practice With Information technology': Larry Fishburne and Angela Bassett portray Ike and Tina Turner In New Motion-picture show". Ebony. 48 (9): 110–112.
  9. ^ a b c d east f 1000 h Turner, Tina. (1986). I, Tina. Loder, Kurt. (1st ed.). New York: Morrow. ISBN0688060897. OCLC 13069211.
  10. ^ a b Orth, Maureen (May 1993). "Tina Turner – The Lady Has Legs!". Vanity Fair.
  11. ^ Cawthorne & Turner, p. 46. sfn mistake: no target: CITEREFCawthorneTurner (help)
  12. ^ McGee, David (2005). B.B. Male monarch: At that place is Always Ane More Time. Hal Leonard Corporation. p. 86. ISBN978-0-87930-843-eight.
  13. ^ Turner & Loder, p. 59. sfn fault: no target: CITEREFTurnerLoder (help)
  14. ^ Turner & Loder, p. 57. sfn error: no target: CITEREFTurnerLoder (help)
  15. ^ "Six definitive songs: The ultimate beginner's guide to Otis Redding". Retrieved 2021-07-26 .
  16. ^ Turner & Loder, p. 64. sfn mistake: no target: CITEREFTurnerLoder (assist)
  17. ^ a b c d east f g Turner, Ike. (1999). Takin' Back My Name: The Confessions of Ike Turner. Cawthorne, Nigel, 1951-. London: Virgin. ISBN1852278501. OCLC 43321298.
  18. ^ Greensmith, Bill (2015). Blues Unlimited: Essential Interviews from the Original Blues Magazine. Russell, Tony, Camarigg, Mark, Rowe, Mike. University of Illinois Printing. pp. 247–248. ISBN9780252097508.
  19. ^ Turner & Loder, p. 69. sfn fault: no target: CITEREFTurnerLoder (help)
  20. ^ Bego, Mark (1998). Tina Turner: Break Every Dominion. p. 67. ISBN9781589792531 . Retrieved November 18, 2018.
  21. ^ Turner & Loder, p. seventy. sfn fault: no target: CITEREFTurnerLoder (help)
  22. ^ Cawthorne & Turner, p. 115. sfn error: no target: CITEREFCawthorneTurner (assistance)
  23. ^ Turner & Loder, p. 115. sfn error: no target: CITEREFTurnerLoder (help)
  24. ^ Turner & Loder, p. 162. sfn error: no target: CITEREFTurnerLoder (help)
  25. ^ "Tina Turner | Anthology Discography". AllMusic . Retrieved 2021-07-26 .
  26. ^ "Tina turns tumultuous life into 'Love'". Baltimore Sun. 1993-06-18. Retrieved 2013-x-05 .
  27. ^ Turan, Kenneth (1993-06-09). "MOVIE REVIEW : 'Love': Playing It Nice and Rough : Exceptional Acting Powers Story of Upwardly and Downs of Ike and Tina Turner". Los Angeles Times . Retrieved 2013-10-05 .
  28. ^ Rickey, Carrie (1994-03-24). "For Pop Queen Tina Turner, Life Was Never, E'er Nice And Easy". Philly.com. Retrieved 2013-10-05 . [ dead link ]
  29. ^ "What's Beloved Got To Do With It? (1993)". Rotten Tomatoes . Retrieved May 11, 2021.
  30. ^ "WHAT'Due south Dear GOT TO DO WITH It (1993) A". CinemaScore. Archived from the original on 2018-12-20.
  31. ^ Maslin, Janet (9 June 1993). "Review/Film: What'south Love Got to Practice With Information technology; Tina Turner'southward Tale: Living Life With Ike and so Without Him". The New York Times.
  32. ^ Siskel, Factor (June 11, 1993). "TINA TURNER STORY TUNES IN TO THE RHYTHMS OF REAL LIFE". chicagotribune.com.
  33. ^ Philips, Chuck (1993-06-24). "Q&A WITH IKE TURNER : 'I Was the One Who Turned Her Into Tina Turner'". Los Angeles Times . Retrieved 2013-ten-05 .
  34. ^ "Ike Turner Says Film Is False, Denies Beating Ex-Married woman Tina Turner". Jet: xiv. July nineteen, 1993.
  35. ^ "Phil Spector criticises Tina Turner at Ike Turner'due south funeral". NME.com News . Retrieved Dec 24, 2015.
  36. ^ "Tina Turner Talks To Oprah About Keeping Her Spirits Upward After a Stroke and Losing Her Son". Oprah mag. 2018-10-03. Retrieved 2018-12-20 .
  37. ^ "The 66th Academy Awards (1994) Nominees and Winners". Academy of Motion Moving-picture show Arts and Sciences. AMPAS. Archived from the original on July half dozen, 2011. Retrieved October 22, 2011.
  38. ^ "Nominees/Winners". Casting Society of America. Retrieved July 9, 2019.
  39. ^ Seymour, Gene (1995-12-22). "Angela Bassett: Grounded--and Soaring equally an Actress : Later on Vampires, Strange Days, the Motion-picture show Star Tin can 'Exhale'". The Los Angeles Times . Retrieved 2010-12-22 .
  40. ^ "Winners & Nominees: What's Honey Got to Exercise with It". HFPA . Retrieved 28 March 2021.
  41. ^ LEONARDI, MARISA (1994-01-07). "Michael Jackson Shares Whitney Houston's Spotlight : Honors: Houston wins v NAACP Image Awards, merely Jackson gets cheers in a show marked past controversy". Los Angeles Times. ISSN 0458-3035. Retrieved 2016-01-22 .
  42. ^ "15th Annual Youth In Film Awards". YoungArtistAwards.org. Archived from the original on 2011-03-04. Retrieved 2011-03-31 .
  43. ^ "AFI'south 100 Years...100 Songs Nominees" (PDF) . Retrieved 2016-08-14 .
  44. ^ "AFI's 100 Years...100 Cheers" (PDF). American Motion-picture show Institute. Retrieved 2016-08-14 .
  45. ^ "EBONY Readers Poll Cease Of Year". Johnson Publishing Company. 12 September 1994. Retrieved March 31, 2018.
  46. ^ "Acme nine Subjects of a Music Bio-Pic". Entertainment Weekly . Retrieved 2018-03-20 .
  47. ^ "Top 10 Best Rock Biopics". Rolling Stone Readers' Poll. Retrieved 2018-03-twenty .
  48. ^ "The Best Blackness Movies of the Last 30 Years". Complex . Retrieved 2018-03-31 .

Bibliography [edit]

  • Cawthorne, Nigel; Turner, Ike (1999). Takin' Dorsum My Proper noun: The Confessions of Ike Turner. Virgin Books. ISBN9781852278502.
  • Turner, Tina; Loder, Kurt (1986). I, Tina: My Life Story. William Morrow & Co. ISBN978-0-68805-949-i.

Notes [edit]

  1. ^ Tied with Otis Sallid for Swing Kids.

External links [edit]

  • What's Love Got to Do with It at IMDb
  • What's Beloved Got to Do with Information technology at AllMovie
  • What's Love Got to Exercise with It at Rotten Tomatoes
  • What's Love Got to Do with Information technology at Box Office Mojo

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Source: https://en.wikipedia.org/wiki/What%27s_Love_Got_to_Do_with_It_(film)

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